While watching TV, I worked a couple of pages in my handbook journal. Just some simple graphite sketches practicing the quick sketching method and getting my shapes as close as possible.
The one thing I'm struggling with...........or maybe a better way to put it............I just have not been able to do mentally or visually yet............is seeing the entire silhouette shape of the subject capturing it first and then going back to put in the details.
I see shapes better now but only in sections. If I could visually see an entire silhouette, I might do better in placement on my journal pages. I'm known to misjudge and run off the paper's edge with my subjects. Sometimes that works out just fine but other times, not so.
Mechanical .05 pencil in the Handbook
Saturday, October 31, 2015
Friday, October 30, 2015
Art Bear in Graphite

Worked in the Handbook with mechanical pencil. Sketched while listening to TV. Still trying to keep things "sketchy" looking by working quickly and loosely. I was in the mood for graphite only but decided to add the watercolor background to help make him come forward.
Thursday, October 29, 2015
Wood Stork at Venetian Gardens, FL
This is my third play at quick sketching birds. Another from photographs I took over a year ago September.
Worked in the Hand.book first with pencil, pen and ink using a Pilot Prera w/Lexy Grey ink, and Daniel Smith watercolors.
The sketching was fast but took awhile to work the color in because I decided to use masking fluid which I normally avoid. I had seen a post by Cathy Johnson comparing two masking fluids and one I purchased weeks ago only to open for the first time tonight. Masking fluid is the FineLine masking fluid pen (actually a bottle) - supernib - fine tip.
Worked in the Hand.book first with pencil, pen and ink using a Pilot Prera w/Lexy Grey ink, and Daniel Smith watercolors.
The sketching was fast but took awhile to work the color in because I decided to use masking fluid which I normally avoid. I had seen a post by Cathy Johnson comparing two masking fluids and one I purchased weeks ago only to open for the first time tonight. Masking fluid is the FineLine masking fluid pen (actually a bottle) - supernib - fine tip.
Wednesday, October 28, 2015
Another Quick Bird Sketch
This one I think I achieved a sketchier look than the one I posted last night. Often I feel my birds are too stiff looking. I'm hoping by working quickly using methods like Marc Holmes will help me loosen things up.
I notice that although I'm holding my pen further down the barrel, I still have quite a grip on it. I don't want my results looking like they've been micro-controlled but instead spontaneously rendered. I want those wiggly/wobby, broken up/uneven wonky lines with these exercises. Not there by any means.......not yet :-)
The one plus is that I'm not laboring over these pages.........I AM speeding up. I need that if I have hopes of sketching birds out on location (or any moving subject for that matter).
I forgot to scan between pencil / pen and ink / and watercolor. I didn't erase anything this time on the bird before applying pen and ink but instead cleaned it up (only a little) after paint was applied and dried. Some of the graphite shows under the watercolor and for this subject, I like that.
This too is from a photo I took last year while checking out Venetian Gardens.
Handbook; Pilot Falcon with Lexy Grey ink; QoR watercolors
I notice that although I'm holding my pen further down the barrel, I still have quite a grip on it. I don't want my results looking like they've been micro-controlled but instead spontaneously rendered. I want those wiggly/wobby, broken up/uneven wonky lines with these exercises. Not there by any means.......not yet :-)
The one plus is that I'm not laboring over these pages.........I AM speeding up. I need that if I have hopes of sketching birds out on location (or any moving subject for that matter).
I forgot to scan between pencil / pen and ink / and watercolor. I didn't erase anything this time on the bird before applying pen and ink but instead cleaned it up (only a little) after paint was applied and dried. Some of the graphite shows under the watercolor and for this subject, I like that.
This too is from a photo I took last year while checking out Venetian Gardens.
Handbook; Pilot Falcon with Lexy Grey ink; QoR watercolors
Tuesday, October 27, 2015
Bird Sketching Inspired by Marc Taro Holmes
Today a video came in that I ordered on Urban Sketching - Drawing Birds, by Marc Taro Holmes. Although the concept is quick sketching out in the field, I tried to take what I picked up from the video using a photograph I took last year in September.
Initial concept is trying to see the silhouette or outline of the bird as quickly as possible, making loose marks on paper using pencil first. Then going back with pen and ink followed by loose washes of color.
I started this out with a large circle for the body and worked from that putting in head, beak, legs and areas to depict feathers.
When I went over with pen and ink, I used a Pilot Falcon holding it further back on the barrel than I normally would. Again trying to keep things loose. I tend to be a control freak when it comes to putting in my line work and I really would like to become a bit more "sketchy" with my results. I have some work ahead of me ...... lots of practice but I felt fairly good with this attempt. :-)
Initial concept is trying to see the silhouette or outline of the bird as quickly as possible, making loose marks on paper using pencil first. Then going back with pen and ink followed by loose washes of color.
I started this out with a large circle for the body and worked from that putting in head, beak, legs and areas to depict feathers.
When I went over with pen and ink, I used a Pilot Falcon holding it further back on the barrel than I normally would. Again trying to keep things loose. I tend to be a control freak when it comes to putting in my line work and I really would like to become a bit more "sketchy" with my results. I have some work ahead of me ...... lots of practice but I felt fairly good with this attempt. :-)
Friday, October 23, 2015
Scarecrow Figurine
Yesterday I received an order of these cute scarecrows (there are three of them) and today decided to sketch one along with my lucky bamboo as a backdrop.
Worked in the Strathmore Visual Journal (Watercolor) pencil first; scarecrow figurine in watercolor first and then pen and ink and the rest pen and ink first before deciding if I wanted to finish in watercolor.
I debated whether to attempt the stucco background or leave it unpainted. I chose to leave the background white as I feared making it too busy trying to capture the stucco.
Pen and Ink using Platinum Carbon pen and Lexington Grey ink and QoR watercolors.
Worked in the Strathmore Visual Journal (Watercolor) pencil first; scarecrow figurine in watercolor first and then pen and ink and the rest pen and ink first before deciding if I wanted to finish in watercolor.
I debated whether to attempt the stucco background or leave it unpainted. I chose to leave the background white as I feared making it too busy trying to capture the stucco.
Pen and Ink using Platinum Carbon pen and Lexington Grey ink and QoR watercolors.
Study of a Wren Using John Muir Law's Step by Step
One of my favorite artists and authors is John Muir Law. I have his first book, Law's Guide to Drawing Birds, and patiently waiting for his new book to be released, which you can pre-order through Amazon, Law's Guide to Nature Drawing and Journaling.
UPDATE: I'm REALLY excited now for the release of John's new book after Cathy Johnson let me know this morning that she's seen it in production and it's WONDERFUL!!!
In addition to the book I presently have, I follow his posts to his website at www.johnmuirlaws.com. One of his recent posts was a step by step on drawing a wren.
I'm not accustomed to drawing by using basic shapes and find it a bit challenging if not awkward. And because of that, I occasionally like to try that technique hoping to hone my skills. Here is a study I just worked based on his post.
Worked in the Hand.book.
UPDATE: I'm REALLY excited now for the release of John's new book after Cathy Johnson let me know this morning that she's seen it in production and it's WONDERFUL!!!
In addition to the book I presently have, I follow his posts to his website at www.johnmuirlaws.com. One of his recent posts was a step by step on drawing a wren.
I'm not accustomed to drawing by using basic shapes and find it a bit challenging if not awkward. And because of that, I occasionally like to try that technique hoping to hone my skills. Here is a study I just worked based on his post.
Worked in the Hand.book.
Monday, October 19, 2015
Opal Bear - Autumn and Halloween Pages

This weekend they had to travel back from FL to WV (along with my youngest son) to pack up a moving van and get it back in time for Ron to go to work today. They didn't leave until after noon on Friday. They ran into one delay after another so it's not been a very easy trip. And to think they have to go back at some point to get the rest of their stuff they couldn't fit this trip. Boy do we know what that's like. For us it was four trips but then we had two households to move.
We kept the girls this weekend and earlier last night, as they got ready for bed, I sketched this.
Poor Opal looks so stiff.......probably how my two sons are going to feel after they've had a chance to stop and relax......LOL.
Hand.book Square, Micron, and QoR watercolors. I like this journal paper OK but it's not as fun to work watercolor as other journal papers.
And while waiting for them to return, I spent my time playing with this next page in my journal. There was no sleeping until I knew they were safely home. It was after 2 a.m. when they finally pulled in and then another hour before we could settle enough to sleep.
Again using Opal as my model. This started out as a pen and ink only sketch but then when I reached all those areas of black, I changed my mind. I started using watercolor pencils (dry) to fill in and shade. Just too much hatching and cross hatching otherwise and I didn't feel like doing that.
Hand.book square, Microns 005 and 01, WC pencils.
Quick Pen and Ink Sketch - Tree and Shrubs
Saturday a week ago, we had to drop my Highlander off at Toyota for a regular maintenance check. While I waited on hubby to check the vehicle in, I sat in his truck and started this quick sketch. I didn't finish it but I knew I would return later to pick my car up and would work on it more at that time.
The squiggly pen and ink technique is my #1 favorite for foliage.
Hand.book journal using Pilot Prera and Lexington Grey ink.
The squiggly pen and ink technique is my #1 favorite for foliage.
Hand.book journal using Pilot Prera and Lexington Grey ink.
Saturday, October 10, 2015
Old Time Relics - Lakeshore Dr The Villages
Back in July, Terry and I drove to Lakeshore Drive at the Villages. What really grabbed my attention as we walked around were the various relics outside shops and restaurants.
Here's a sketch of what drew my attention at Cody's Roadhouse.
Steps as I worked the page:
Here's a sketch of what drew my attention at Cody's Roadhouse.
Steps as I worked the page:
Friday, October 9, 2015
Venetian Garden Ink Sketching
Sketched this little scene from one of our trips to Venetian Gardens a few weeks ago. Still trying to get back into the swing of things where I went for weeks not doing much of anything. Didn't have a lot of time so I worked this quickly in just a few minutes (probably looks it too........ha ha ). :-)
Worked in the Handbook with my Pilot Prera (that I haven't used in ages) and Lexington Grey ink. Grabbed the palette with the QoR watercolor pigments and water brush.
Worked in the Handbook with my Pilot Prera (that I haven't used in ages) and Lexington Grey ink. Grabbed the palette with the QoR watercolor pigments and water brush.
Thursday, October 8, 2015
Madison's Tiger - Graphite
This is another graphite drawing my granddaughter, Madison, finished yesterday.
Strathmore Visual Mixed Media Journal and mechanical pencil.
Strathmore Visual Mixed Media Journal and mechanical pencil.
Wednesday, October 7, 2015
Eastern Lubber Grasshopper - Ink and Brush Pens
Earlier in the year I purchased a few pens and brush markers intending to do some play and practice. Only I've gone all these months not really thinking about them.
Tonight I decided to play using materials I hadn't used...........Pentel Art Pocket Brush pen and Zig (Kuretake) Clean Color Marker brush pens.
Using the Strathmore Visual Watercolor Journal, I first sketched using the Pilot Falcon fountain pen. Then after the ink was dry, I went over some areas with the Pocket Brush pen. Then I grabbed the brush marker pen colors I wanted or needed and laid down color. Immediately after adding the color, I would take a waterbrush and blend the color on paper.
I had a lot of fun with these pens. The colors were vibrant even after drying. They blended beautifully together and using the waterbrush pushing or pulling color from the initial color stroke made.
After playing with these and seeing how nice they are to work with, I might just have to purchase additional colors to add to the 12 purchased months ago to try out.
Tonight I decided to play using materials I hadn't used...........Pentel Art Pocket Brush pen and Zig (Kuretake) Clean Color Marker brush pens.
Using the Strathmore Visual Watercolor Journal, I first sketched using the Pilot Falcon fountain pen. Then after the ink was dry, I went over some areas with the Pocket Brush pen. Then I grabbed the brush marker pen colors I wanted or needed and laid down color. Immediately after adding the color, I would take a waterbrush and blend the color on paper.
I had a lot of fun with these pens. The colors were vibrant even after drying. They blended beautifully together and using the waterbrush pushing or pulling color from the initial color stroke made.
After playing with these and seeing how nice they are to work with, I might just have to purchase additional colors to add to the 12 purchased months ago to try out.
Unfinished Wood Birdhouse - Pen and Ink
Night before last I worked this pen and ink sketch using my Platinum Carbon pen with Lexington Grey Ink. It was nice going back to my fountain pens for a change. The Microns are great to grab for drawing but realized I missed the feel of using the fountain pens.
Worked in the Hand.book
Worked in the Hand.book
Saturday, October 3, 2015
It's a Start - Banana
It's been a busy time this past month or so trying to finalize the sale of our house in West Virginia (with one obstacle after another along the way) and then preparing for my eldest son and his family to come live with us for awhile as they find jobs and a place of their own.
We are one big happy family of eight - 6 adults and 2 children plus 4 dogs and 2 cats trying to adjust to living in limited space with various eating and sleeping/waking schedules. I think we're doing pretty good too :-)
With this going on plus the digital filing organization and giving my 13 year old website a face lift, I just haven't felt much like sketching or painting. FINALLY this morning I worked this little sketch after two sons and my granddaughters left (before daylight) to go fishing.
We have a banana tree in the back we thought was on it's way out. Terry gave it some TLC last year and it helped perk the tree up and this year producing bananas. I've never seen how bananas grow so this is a new learning experience for me.
This is just a little pen and ink sketch of how each banana has this little flower at the tip. As the banana grows, this flower fades and drops off.
Worked in a square format Hand.book with a Lamy Safari pen and Lexington Gray Ink
We are one big happy family of eight - 6 adults and 2 children plus 4 dogs and 2 cats trying to adjust to living in limited space with various eating and sleeping/waking schedules. I think we're doing pretty good too :-)
With this going on plus the digital filing organization and giving my 13 year old website a face lift, I just haven't felt much like sketching or painting. FINALLY this morning I worked this little sketch after two sons and my granddaughters left (before daylight) to go fishing.
We have a banana tree in the back we thought was on it's way out. Terry gave it some TLC last year and it helped perk the tree up and this year producing bananas. I've never seen how bananas grow so this is a new learning experience for me.
This is just a little pen and ink sketch of how each banana has this little flower at the tip. As the banana grows, this flower fades and drops off.
Worked in a square format Hand.book with a Lamy Safari pen and Lexington Gray Ink
Thursday, October 1, 2015
Madison's Latest Sketch - Owl in Graphite
Madison is my eldest granddaughter, who is 12. The family is living with us now for awhile as they transition from West Virginia to Florida.......looking for jobs and a place of their own.
Both granddaughters (the youngest is 9) love to draw and paint and Madison just finished this last night.
Worked in a Strathmore Visual Mixed Medium journal and mechanical pencil .07
Tuesday, September 29, 2015
Where Are You At Today With Your Art?
I've been working with digital files now for weeks. Renaming, resizing, rescanning if necessary, etc. It's really interesting to re-visit what I used to do years ago compared to the direction I've taken the last few years. And what's even more amazing is my attitude change.
When I first started out back in the late 1900s, I was all about full size paintings to hang on the wall. Trying to learn and follow all the rules and guidelines about composition, trying to understand proper perspective, etc. And in the beginning I leaned towards trying for realism, especially with flowers.
I sit and think about the stress I put myself under trying to get everything perfect or as perfect as it was possible for me. If the results turned out to my liking (which I seldom felt), I would feel good about it. Unfortunately because I was striving for perfection, I didn't enjoy the process. All those rules! Trying to please everyone else! Trying to please my inner critic. I actually went for over a year not wanting or being able to do anything. It just wasn't worth how I felt tediously painting trying to obtain perfection.
I don't draw or paint to sell. I have no desire to enter into competitions. All those frame sized paintings that I didn't give away as gifts sit in a box seldom ever looked at. I'm not big on hanging a lot of stuff on walls either. So............. what was the point if I didn't actually enjoy the process?
Then I came across Cathy Johnson's Artist's Journal Workshop group in Facebook, purchased her book on the subject and took a few of her online classes or DVD courses. That was the fork in the road for me that I chose to take with my artwork.
Keeping journals has definitely been a positive change for me. I don't worry about the results (or at least I'm doing better keeping that inner critic quiet........lol) and I feel free to play and experiment. I love working with individual illustrations of subjects or vignettes rather than full compositions so journaling just seems to fit. Most important............I'm enjoying the journey or the process. Of course if the results turn out to my liking, that's just icing on the cake.
My journals are not only my canvas but are my means of display as well. I love flipping through these books to see what I did along with reading my notes I might add. My family (especially the grand-kids) love going through these journals and reading these notes often inspiring questions and discussions. For me this is what it's all about :-)
Just to share a bit of my past, I've created these digital collages of many of my past paintings. Yeah, it's a bit different from what I do today ......don't you think??? LOL
When I first started out back in the late 1900s, I was all about full size paintings to hang on the wall. Trying to learn and follow all the rules and guidelines about composition, trying to understand proper perspective, etc. And in the beginning I leaned towards trying for realism, especially with flowers.
I sit and think about the stress I put myself under trying to get everything perfect or as perfect as it was possible for me. If the results turned out to my liking (which I seldom felt), I would feel good about it. Unfortunately because I was striving for perfection, I didn't enjoy the process. All those rules! Trying to please everyone else! Trying to please my inner critic. I actually went for over a year not wanting or being able to do anything. It just wasn't worth how I felt tediously painting trying to obtain perfection.
I don't draw or paint to sell. I have no desire to enter into competitions. All those frame sized paintings that I didn't give away as gifts sit in a box seldom ever looked at. I'm not big on hanging a lot of stuff on walls either. So............. what was the point if I didn't actually enjoy the process?
Then I came across Cathy Johnson's Artist's Journal Workshop group in Facebook, purchased her book on the subject and took a few of her online classes or DVD courses. That was the fork in the road for me that I chose to take with my artwork.
Keeping journals has definitely been a positive change for me. I don't worry about the results (or at least I'm doing better keeping that inner critic quiet........lol) and I feel free to play and experiment. I love working with individual illustrations of subjects or vignettes rather than full compositions so journaling just seems to fit. Most important............I'm enjoying the journey or the process. Of course if the results turn out to my liking, that's just icing on the cake.
My journals are not only my canvas but are my means of display as well. I love flipping through these books to see what I did along with reading my notes I might add. My family (especially the grand-kids) love going through these journals and reading these notes often inspiring questions and discussions. For me this is what it's all about :-)
Just to share a bit of my past, I've created these digital collages of many of my past paintings. Yeah, it's a bit different from what I do today ......don't you think??? LOL
Sunday, September 13, 2015
What I've Been Up To Lately
Besides the renaming of art files and better organization as mentioned in the previous post, I have been putting together pdf files of demos and art reference sheets. My latest project using bits and pieces of my artwork to create cover pages.
Here is an example of one cover in both portrait and landscape orientation.
And because I save my blog posts converting to pdf files, I've played a bit using Photoshop Elements to create covers. Some are using scans from my artwork and some are playing with brushes in the software program itself.
I still have some work to do ..... like how I want to place a title on them but these are a good start to work from.
Here is an example of one cover in both portrait and landscape orientation.
And because I save my blog posts converting to pdf files, I've played a bit using Photoshop Elements to create covers. Some are using scans from my artwork and some are playing with brushes in the software program itself.
I still have some work to do ..... like how I want to place a title on them but these are a good start to work from.
How Do You Name and Organize Your Digital Art Files?
WARNING:
Not for the faint of heart :-)
Through the years, this has been
an ever changing task of naming and filing my digital art files.
I started out just trying to
choose a name that I might remember for a search. Unfortunately, I'd find
myself not remembering what I might have named something making it difficult to
find later.
Then I started naming my files
with Month/Year plus short name but then later changed that to Year first and
then month plus name.
This latest way of naming my files
is proving to be the best for me and I've been going through folders renaming
my art files using this method. Talk about a task but at least I've found
a nice free program to help with batch renaming of files............. FastStone
Image Viewer.
Then of course comes the task of maintaining
a file folder structure that makes sense to me helping to locate my files based
on media used. My system may be
overkill for some people but because I use my files for various projects, I
have managed to come up with a filing structure that more or less works very
well for me.
First
the naming of files:
For every painting or sketch I
scan, I create several files. I first scan at 300 resolution and save as
a TIF file. From that scan I end up with the several files. Let's take an example of sketching a
bear in a Strathmore Visual Journal using watercolor and pen and ink completed
this month:
Year first and then month plus
short name and scan number. The scan number helps when I might sketch or
paint more than one page of a bear within the same month.
1509bear001.tif
= Original Scan
1509bear001ws.psd
= Evaluate the tones and colors against the actual journal page and with
layers in Photoshop Elements, make corrections and add a signature layer for
web posting. My scanner tends to struggle with certain yellows and blues
for which I try to correct and it always scans with more contrast than the
actual painting or journal entry.
1509bear001ws.tif
= New tif file with changes and signature at 300 resolution in case I want to
make a good print. Tif files do not compress the file as jpgs do.
1509bear001ws.jpg
= Jpg for use in document/pdf demonstrations, etc. Resolution still at
300 but saving at the low end of maximum quality which is 10 in Photoshop
Elements. This gives me a smaller file size making it more manageable in
a document or if I create a disk of my images to share with family.
1509bear001wsweblg.jpg = This file is for uploading to the web. I
change the size to 7" or 7.5" at the longest edge with a resolution
of 120 (instead of 300) and then "Save for Web" at high quality or
whatever I need to achieve a file size of about 120 k. I don't want to go
much higher than that due to total storage in Picasa where my blogger images
are stored. Plus if an image is too large in file size, it can take
awhile for it to load when someone goes to your website or blog....especially
if you share several image files within a post. I also use these weblg
size files for my Ipad and smartphone. Takes up less space but still
shows a decent quality picture on these devices.
Although I can end up with
several more files from one scan (crops, ATC size, etc.), the above is my main
system of naming and saving files.
So
where do I save these files?
First I work in a Temporary
Folder under Documents called NEW Files. All my art files are saved there
where I later distribute between various places on my hard drive often making
copies of the jpg files (either full size or weblg jpgs depending what I might
need for demos or contact sheets (later explained), etc).
To
share how I distribute between folders is quite involved and not sure I can
explain without causing confusion. But I'm going to try using what you
see in red as my main example. I also
use the subfolders like Flowers, Landscape, Other, People, and Wildlife under
Cameos Journals.
Also under
the main Art Folder I have a folder called Sketchbooks and Thumbnails (not
showing above). In that folder I have
subfolders by name/type of journal where I store a COPY of each weblg image
file I created. Using FastStone Image
Viewer, I can put my individual scanned page files in page order of the
journal(s) and then create a contact sheet that I can print out and view
thumbnails of those sketches and paintings worked in that particular journal. My contact sheets not only show a thumbnail
image of my paintings/sketches but also show the name of the file which can
help with searches.
If I have
scanned steps of my progress for a demo or visual demo, I will save a COPY of
the jpg files (not the weblg jpgs) under a subject subfolder of Demos.
Once I'm
satisfied I have saved the COPIES I need to distribute to various locations on
the hard drive, I then move the main files temporarily saved under the NEW
Files folder to their proper places under the Media Folders such as Paintings
Watercolor, Sketching Drawing, etc.
Although
this probably sounds like a major pain, it pays off in the long
run............at least for me. My file
structure goes beyond what I've shared here but this is my starting point and
main system for naming and saving my art files.
Taking the above file name of 1509bears001, I would:
1) Save a COPY of
the *weblg.jpg to the Sketches and Thumbnails folder under Strathmore Visual WC
#1 (#2 if working in a second Visual WC journal, etc.)
2) I didn't scan
steps so no need to worry about saving a COPY of the jpg file under Demos.
3) I would then MOVE
all the related files to the appropriate Media folder which in this case would
be Paintings Watercolor / Actual Paintings or Cameos / subfolder Wildlife.
(Subfolder named Other if a stuffed bear.)
File Names and Searches:
This is
where it pays off for me with the way I name my files....
Let's say I
want to look up all my files regardless of medium used for the month of
September. I would start my search under
the ART folder and type the following under Windows Explorer Search Box:
1509*.jpg
> 200k
This tells
Windows I only want the files for September of 2015 for jpg files greater than
200k. That way I'm not seeing duplicates
of the regular size jpgs plus those scaled down with the added
"weblg" named files. You could
always just search for the Tifs which would read: 1509*.tif.
Another
example: Let's say you want to see all
the artwork you did in 2014. Maybe
you've misplaced a file and you can't remember the month or the file name. You pull up this search, locate the image of
the file you're looking for and you right click and select Open File Location.
15*.jpg >
200k
This tells
Windows I want to see all the jpg files greater than 200k (in file size) for
the year 2015.
There are
many other search parameters one can use but that's beyond the scope of
this. Searches can be saved but I
haven't quite explored that yet to share here.
Hopefully
sharing this might help others with a general idea or starting point in naming
and organizing files :-)
Saturday, August 22, 2015
Painting Cameos
Doodling with watercolor. Cameos that I prefer to call them as they are a little more than just mindless marks put on paper.
Playing with different brushes; different colors; and different techniques.
Playing with different brushes; different colors; and different techniques.
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