Although I have several different size and type brushes, these four are the main ones I tend to reach for with the #8 Kolinsky and the 3/8" Synthetic Angular being what I use most often. The #14 Silver Ultra Mini (synthetic) I will grab if I need a real sharp point and the 3/4" DaVinci Flat (synthetic) for large areas.
I love my Kolinsky brushes but sometimes I prefer a synthetic for better control of the amount of water in the brush.
Again using MairmeriBlu watercolors, I'm trying to get used to the color mixing results compared to what I'm used to with Daniel Smith and Winsor & Newton pigments.
The flesh tone was trial and error since I didn't have Perm Alizarin I'm used to using. The closest to Perm Aliz I had to work with was either Crimson Lake or Primary Red Magenta mixing each with Raw Sienna, Golden Lake, or Burnt Umber. I went back and forth so many times trying to get the flesh tone I wanted that I honestly can't say which I ended up using :-)
Microns 05 both in Sienna and Black were used. and in places I used a Sharpie extra fine white marker pen.
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