Another bonus with the layers and digital is trying various color combinations or brush tool/patterns to see what works and what doesn't. As an example, I had worked the cast shadow in different colors - three separate layers...a bluish gray, purplish gray, and brown. I didn't care for the blue or purple so I just deleted those layers. I did similar with the background working one with a soft blue and the one you see here. Didn't care for the blue.
Today I played with a brush tools I haven't used too much, which is the 2B Compressed Charcoal brush tool. I also used Gesinski Ink and Splatter brush tools for the table. I was after a soft plush look and the Compressed Charcoal did the trick for me.
Steps showing how each top layer is used to render the final results:
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